Introduction: What happens when the electric guitar meets Thor’s hammer? The effect might be quite bombastic and trigger a sensation of empowerment and enchantment capable of temporarily relocating us to some imaginary places and eldritch times that could cathartically fill up an imagined identity. Metal music is an enormously rich and challenging cultural phenomenon, which has been captivating me for some years and where many times I found solace and an expression of my own emotions.
Equally fascinating I find the distant past, with all its aura of mystique and exoticism – ‘the past is a foreign country’, as the saying goes. What I am writing about in this paper is somehow a compromise between the two, focused on an intriguing and dynamic stylistic trend in metal culture, which is to use Pagan histories as source of inspiration for the lyrics and images of the bands. One vital preliminary remark would be that when such bands aesthetically instrument the past and play with nostalgic reimaginings of history and heritage, they weave a personalized cultural narrative that corresponds to a symbolic collectivity and cultural memory.
1. Radu Sorescu - Petre Tutea. Viata si opera 2. Zaharia Stancu - Jocul cu moartea
3. Mihail Sebastian - Orasul cu salcimi
4. Ioan Slavici - Inchisorile mele
5. Gib Mihaescu - Donna Alba
6. Liviu Rebreanu - Ion
7. Cella Serghi - Pinza de paianjen
8. Zaharia Stancu - Descult
9. Henriette Yvonne Stahl - Intre zi si noapte
10.Mihail Sebastian - De doua mii de ani
11. George Calinescu Cartea nuntii 12. Cella Serghi Pe firul de paianjen…
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