An everyday archive and a virtual trip to Rembrandt's Amsterdam – the week in art

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Socially distanced exhibition slots are available for Ella Kruglyanskaya and Jim Dine, while online offerings include Amazonian artist Abel Rodriguez – all in your weekly dispatch

Jonathan Jones

Fri 19 Jun 2020 15.46 BSTLast modified on Fri 19 Jun 2020 15.47 BST

https://www.theguardian.com/artanddesign/2020/jun/19/unquiet-moment...

 Barbara Walker’s Boundary II (2000) is part of Unquiet Moments: Capturing the Everyday at the Courtauld Institute. Photograph: © the artist and Cristea Roberts Gallery

Exhibition of the week

Unquiet Moments
If the slower world of lockdown has led you to contemplate the ordinary more closely, this online exhibition may strike a chord. Curated by Courtauld students, it creates an alternative archive of the everyday featuring artists including Rembrandt, Sunil Gupta and Karl Ohiri.
• Somerset House and Courtauld online

Also showing

Ella Kruglyanskaya
Cartoon-style figuration and rollicking references to the history of art make it worth booking a slot to visit this politicised painter’s gallery show.
• Thomas Dane Gallery, London until 24 July

Jim Dine
You can book a socially distanced slot to see big, intensely incised and coloured new prints by this major American artist.
• Cristea Roberts, London until 1 July

Young Rembrandt
Take a virtual trip to 17th century Leiden and Amsterdam to see how Rembrandt found his genius.
• Ashmolean Museum, Oxford

Abel Rodriguez
It’s worth an online visit to this exhibition by an Amazonian artist whose memories and local botanical knowledge give a movingly intimate perspective to his rainforest scenes.
• 
Photographs were released this week by Dutch art investigator Arthur Brand – taken on an unknown date and at an undisclosed location – that appear to show an 1884 painting by Vincent van Gogh that was stolen in March from the Singer Laren Museum near Amsterdam. In one, the painting is shown alongside a copy of the 30 May 2020 international edition of the New York Times newspaper. Another picture shows a label on the rear of the artwork, apparently underlining its authenticity. It is speculated the images were circulating in organised crime circles.