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Smooth jazz
 is a popular genre of music that grew out of jazz[1] and is influenced by rhythm and bluesfunkrock and roll, and pop music styles (separately, or, in any combination).[citation needed] Musicians such as Kenny GRamsey LewisDave Koz, and Spyro Gyra have had hits with instrumental recordings, while singers such as Anita BakerSadeSting and Norah Joneshave found success with vocal releases. George Benson remains a popular smooth jazz artist as both a singer and guitar player.


Description

In general a smooth jazz track is downtempo (the most widely played tracks are in the 90–105 BPM range), layering a melody played on instruments such as soprano and tenor saxophone or guitar over a backdrop that typically consists of programmed rhythms and various synth pads or samples.

Smooth jazz groups or recording artists tend to play their instruments in a melodic fashion such that they are recognizable within just a few measures; this category includes names such as saxophonists Kenny GDavid SanbornKirk WhalumGeorge HowardNajeeBoney James, and Art Porter, Jr.; guitarists George BensonEarl KlughMarc AntoinePeter WhiteJonathan ButlerRay Parker Jr.Norman BrownRonny JordanRoberto Tola and Yves Vincent; pianists David BenoitBradley Joseph, and Joe Sample. Some performers, such as Dave KozBob James, and Nathan East are notable for their numerous collaborations with many of the genre's big names. Groups include FourplayPieces of a DreamAcoustic Alchemy3rd ForceAirborne and The Rippingtons. Female performers include Keiko MatsuiJoyce CoolingMindi AbairCandy DulferSadeBrenda RussellPamela WilliamsRegina Belle, and Anita Baker.

Origins

Smooth jazz can be traced back to at least the late 1960s. Producer Creed Taylor worked with guitarist Wes Montgomery on three popular records (1967's A Day in the Life and Down Here on the Ground and 1968's Road Song) consisting of instrumental versions of familiar pop songs such as "Eleanor Rigby", "I Say a Little Prayer" and "Scarborough Fair". While jazz musicians had performed pop hits since the early 1900s, Montgomery's commercially successful albums were somewhat of a departure from this tradition, containing little of the complex improvisation of his earlier recordings and being aimed squarely at pop music audiences. Reviewing A Day In the Life, critic Scott Yannow writes, "although the jazz content is almost nil, the results are pleasing as background music."[2]

From these commercially successful records with Montgomery, Taylor founded CTI Records. Many established jazz performers recorded for CTI (including Freddie HubbardChet BakerGeorge Benson and Stanley Turrentine). The records recorded under Taylor's guidance were typically aimed as much at pop audiences as at jazz fans, with ornate string section arrangements, and a much stronger emphasis on melody than was typical in jazz. Some critics and jazz fans expressed a distaste for CTI releases, but much of the label's output is now generally well-regarded: Yanow writes, "Taylor had great success in balancing the artistic with the commercial."[3] Hubbard's funk/fusion album Red Clay, issued by CTI and containing a lengthy cover of John Lennon's "Cold Turkey", has been described as arguably "Hubbard's finest moment as a leader."[4]

In addition to Benson, jazz musicians in the 1970s whose style would be called smooth jazz today included Bob JamesDavid SanbornHerb AlpertAl Jarreau and Chuck Mangione.[5]

Derivatives
A recent development is urban jazz, which incorporates aspects of hip-hop. This style is aimed at audiences who would normally listen to radio stations that play a mix of hip-hop and R&B. Among the musicians who frequently perform urban jazz are Dave KozBoney JamesPaul Jackson Jr., Nick Colionne, Vincent IngalaBobby Perry, Urban Jazz Coalition, Streetwize, and Tha' Hot Club.

Urban jazz includes artists such as Bob BaldwinMichael LingtonBrian BrombergDavid LanzJonathan FritzenBobby RickettsKim WatersDaniele CaprelliKen NavarroWalter Beasley and Peter White.

Another nascent trend involves the fusion of smooth jazz and electronica, the results of which are similar to what has come to be called "chill" among electronica enthusiasts. New York's WQCD integrated chill into its format in 2004, and DJ Rafe Gomezpioneered the usage of playlists that blended tracks from both genres, in addition to selections from the 70s jazz fusion and Latin jazz, 80s jazz-funk, 90s acid jazz, and contemporary club jazz/nu jazz genres.

Critical and public reception

The Allmusic guide article on "fusion" states that "unfortunately, as it became a money-maker and as rock declined artistically from the mid-'70s on, much of what was labeled fusion was actually a combination of jazz with easy-listening pop music and lightweight R&B."[6]

Kenny G in particular is often criticized by both fusion and jazz fans, and some musicians, while having become a huge commercial success. Music reviewer George Graham argues that the "so-called ‘smooth jazz’ sound of people like Kenny G has none of the fire and creativity that marked the best of the fusion scene during its heyday in the 1970s".[7]

Digby Fairweather, before the launch of UK jazz station theJazz, denounced the change to a smooth jazz format on defunct radio station 102.2 Jazz FM, stating that the owners GMG Radio were responsible for the "attempted rape and (fortunately abortive) re-definition of the music — is one that no true jazz lover within the boundaries of the M25 will ever find it possible to forget or forgive."[8]

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Creat de altmariusclassic Sep 13, 2013 at 11:02am. Actualizat ultima dată de altmariusclassic Sep 13, 2013.

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