Electric Light Orchestra

[altmariusclassic2]

Electric Light Orchestra - Evil Woman (1975)

ELO - Telephone Line 

ELO - Last Train to London

ELO - Confusion

Biography

by Jason Ankeny

The Electric Light Orchestra's ambitious yet irresistible fusion ofBeatlesque pop, classical arrangements, and futuristic iconography rocketed the group to massive commercial success throughout the 1970s. ELO was formed in Birmingham, England in the autumn of 1970 from the ashes of the eccentric art-pop combo the Move, reuniting frontman Roy Wood with guitarist/composer Jeff Lynne, bassist Rick Price, and drummer Bev Bevan. Announcing their intentions to "pick up where 'I Am the Walrus' left off," the quartet sought to embellish their engagingly melodic rock with classical flourishes, tapping French horn player Bill Hunt and violinist Steve Woolam to record their self-titled debut LP (issued as No Answer in the U.S.). In the months between the sessions for the album and its eventual release, the Move embarked on their farewell tour, with Woolam exiting the ELO lineup prior to the enlistment of violinist Wilf Gibson, bassist Richard Tandy, and cellists Andy Craig and Hugh McDowell; despite the lengthy delay, Electric Light Orchestra sold strongly, buoyed by the success of the U.K. Top Ten hit "10538 Overture." 

However, Wood soon left ELO to form Wizzard, taking Hunt andMcDowell with him; Price and Craig were soon out as well, and with the additions of bassist Michael D'Albuquerque, keyboardist Richard Tandy, and cellists Mike Edwards and Colin Walker, Lynne assumed vocal duties, with his Lennonesque tenor proving the ideal complement to his increasingly sophisticated melodies. With 1973'sELO II, the group returned to the Top Ten with their grandiose cover of the Chuck Berry chestnut "Roll Over Beethoven"; the record was also their first American hit, with 1974's Eldorado yielding their first U.S. Top Ten, the lovely "Can't Get It Out of My Head." DespiteElectric Light Orchestra's commercial success, the band remained relatively faceless; the lineup changed constantly, with sole mainstays Lynne and Bevan preferring to let their elaborate stage shows and omnipresent spaceship imagery instead serve as the group's public persona. 1975's Face the Music went gold, generating the hits "Evil Woman" and "Strange Magic," while the follow-up, A New World Record, sold five million copies internationally thanks to standouts like "Telephone Line" and "Livin' Thing." 

The platinum-selling double-LP, Out of the Blue, appeared in 1977, although the record's success was tempered somewhat by a lawsuit filed by Electric Light Orchestra against their former distributor, United Artists, whom the band charged flooded the market with defective copies of the album. Columbia distributed the remainder of the group's output, issued through their own Jet Records imprint, beginning with 1979's Discovery, which notched the Top Ten entries "Shine a Little Love" and "Don't Bring Me Down." In the wake ofELO's best-selling Greatest Hits compilation, Lynne wrote several songs for the soundtrack of the Olivia Newton-John film Xanadu, including the hit title track. The next proper Electric Light Orchestraalbum, 1981's Time, generated their final Top Ten hit, "Hold on Tight." Following 1983's Secret Messages, Bevan left the group to join Black Sabbath, although he returned to the fold for 1986'sBalance of Power, which despite the presence of the Top 20 hit "Calling America" received little interest from fans and media alike. 

However, as Electric Light Orchestra's career descended, Lynneemerged as a sought-after producer, helming well-received comebacks from George Harrison (1987's Cloud Nine) and Roy Orbison (1989's Mystery Girl) and additionally re-teaming with both rock legends as well as Bob Dylan and Tom Petty in the hit supergroup the Traveling Wilburys. Lynne made his solo debut in 1990 with Armchair Theatre but otherwise spent the decade out of the limelight, instead producing material for Joe Cocker, Tom Jones, and Paul McCartney in addition to working on the Beatles'Anthology project. In 1988, meanwhile, Bevan formed Electric Light Orchestra Part II with vocalist Neil Lockwood, keyboardist Eric Troyer, and bassist Pete Haycock; although Lynne filed suit against the group (hence the "Part II" tag), a self-titled LP followed in 1991, with a live collection recorded with the Moscow Symphony Orchestra appearing a year later. Outside of 1994's Moment of Truth, subsequent ELO II releases have been live efforts as well.

ELO		JVC Victor
				ELO II [30th Anniversary Edition]		EMI Digital
				No Answer		Sony Music Entertainment
		1971		The Electric Light Orchestra		EMI Music Distribution
		1973		Electric Light Orchestra II		Jet Records
		1973		On the Third Day		Jet Records
		1974		The Night the Lights Went On (In Long Beach)		Phantom Import Distribution
		1974		Eldorado		Jet Records
		1975		Face the Music [Expanded Edition]		Jet Records
		1976		A New World Record		Jet Records
		1977		Out of the Blue		Jet Records
		1979		Discovery		Jet Records
		1981		Time		Jet Records
		1983		Secret Messages		Jet Records
		1986		Balance of Power		Epic
		1990		Electric Light Orchestra Part Two		Zomba
		1991		Part Two: Once Upon A Time		Digimode Entertainment
		1994		Moment of Truth		Curb
		1997		All Time Greatest		BR Music
		1998		Time After Time		Going for a Song
		2000		One Night in Australia - Live		Oval Office
		2000		Greatest Hits: Live in Australia		MCP
		2001		Zoom		Epic
		2002		Standing in the Rain		Digimode Entertainment
		2002		Live in Concert, Pt. 2		T4T
		2007		One Night in Australia		Snapper
		2009		BBC in Concert		EMI UK
		2011		Can't Get You Out		Pazzazz
		2011		Last Train to Lo		Pazzazz
		2012		Electric Light Orchestra/First Light		EMI Catalogue